FRAMING VISUAL NARRATIVES OF THE GEORGE TOWN HERITAGE CELEBRATION BROCHURE: A CONTENT ANALYSIS
DOI:
https://doi.org/10.55197/qjssh.v7i3.1229Keywords:
visual analysis, heritage celebrations, brochure, critical discourse analysis, social semioticAbstract
The George Town Heritage Celebration is an annual cultural event held in George Town, a historic city recognized as part of the UNESCO World Heritage Site for its exceptional multicultural heritage and architectural landscape. The focus of this study is to analyze the nuanced visual elements within the brochure, aiming to uncover the intricate narrative woven through its visual content, denotative and connotative elements, and ideology relevance represented in the image of this brochure through layout and pictures. The research focuses on how visual elements including layout composition, imagery, colour schemes, and symbolic motifs operate at both denotative and connotative levels to communicate ideological meanings. Through a systematic visual analysis, the study interrogates how the brochure strategically mobilizes visual rhetoric and cultural symbolism to frame George Town’s heritage as a harmonious multicultural narrative. As a result, the most prominent explicit element is heritage landmarks. Meanwhile, implicit elements show Malay, Chinese, and Indian figures as the signature of unity, representing the George Town Heritage Celebration identity. Both denotative and connotative elements form the main synecdoche of George Town Heritage Celebration representation images. This study provides a foundation for preserving and cultivating Georgetown Heritage Day to unite the community.
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