A FORMALIST EXAMINATION OF THE DOODLE ART THEME ‘SELANGORKU MAKMUR’ THROUGH GREENBERG’S THEORY

Authors

  • AIQA AFIQAH ISNIN Faculty of Communication, Visual Art and Computing, Universiti Selangor, Selangor, Malaysia.
  • RINA ABDUL SHUKOR Faculty of Communication, Visual Art and Computing, Universiti Selangor, Selangor, Malaysia.
  • NOR AZIYANA ABD RAHMAN Faculty of Communication, Visual Art and Computing, Universiti Selangor, Selangor, Malaysia.
  • NOR YUS SHAHIRAH HASSAN Faculty of Communication, Visual Art and Computing, Universiti Selangor, Selangor, Malaysia.
  • RAJA SHAMIR IZWAN RAJA SHARUDDIN Faculty of Communication, Visual Art and Computing, Universiti Selangor, Selangor, Malaysia.

DOI:

https://doi.org/10.55197/qjssh.v6i2.607

Keywords:

formalist analysis, doodle art, Clement Greenberg, modernist aesthetics

Abstract

The purpose of this study is to analyze the formalist approach to interpreting doodle art, with a specific focus on the piece of artwork titled "My Doodle Selangorku Makmur." Throughout the course of this inquiry, the philosophy of Clement Greenberg has been applied. Line, color, composition, and media specificity are examples of formal characteristics that Greenberg emphasized as part of his argument that true art should favor visual and formal qualities over narrative or symbolic meaning. Greenberg's theory was based on the idea that true art should prioritize these qualities. The objective of this research is to dissect the selected piece of art and investigate the ways in which the structural components of the piece contribute to the artistic worth of the piece. This will be accomplished with the assistance of a formalist perspective. According to the findings, it is possible to create a dynamic visual experience by utilizing compositional balance, vivid color contrast, and compelling outlines. This can be accomplished by utilizing these elements. In doing so, the research reaffirms the legitimacy of doodle art as a kind of high art rather than purely ornamental work. This is because the research provides a contribution to the understanding of doodle art within the context of modernist aesthetics.

References

Abdullah, S. (2015): Postmodernity in Malaysian art: tracing works by Nirmala Shanmughalingam. – History 5(16): 35-43.

Ball, P., Ruben, M. (2004): Color theory in science and art: Ostwald and the Bauhaus. – Angewandte Chemie International Edition 43(37): 4842-4847.

Blackwell, A.F., Church, L., Plimmer, B., Gray, D. (2008): Formality in sketches and visual representation: Some informal reflections. – In Sketch Tools for Diagramming, Workshop at VL/HCC 8p.

Doodle Art Club (2014): What is a Doodle Art? – Doodle Art Club Web Portal 7p.

Greenberg, C. (1971): Art and culture: Critical essays. – Beacon Press 278p.

Greenberg, C. (1959): Modernist painting. – Voice of America 7p.

Larkin, V. (2019): Illustrative Poundbury: Reading illustration in the built environment. – Journal of Illustration 6(2): 265-288.

Mercurio, J.R., Gabelman, D. (2025): The Form and Theory of Literary Doodling. – Cambridge University Press 126p.

Sakeri, S., Zeen, A. (2022): Rentak Selangor 6.0: A kaleidoscopic spectacle of cultures. – Issuu Web Portal 10p.

Wong, D. (2014): The Power of Public Art: The Political Significance of Murals in New York City. – fIn Western Political Science Association Meeting, Cornell University 47p.

Downloads

Published

2025-04-29

Issue

Section

Articles

How to Cite

A FORMALIST EXAMINATION OF THE DOODLE ART THEME ‘SELANGORKU MAKMUR’ THROUGH GREENBERG’S THEORY. (2025). Quantum Journal of Social Sciences and Humanities, 6(2), 269-277. https://doi.org/10.55197/qjssh.v6i2.607