AUDIENCE RECEPTION OF DREAM IMAGERY IN CONTEMPORARY CHINESE DRAMA
DOI:
https://doi.org/10.55197/qjssh.v6i5.823Keywords:
audience reception, Chinese drama, contemporary drama, dream imageryAbstract
In the evolving landscape of Chinese performing arts, dream imagery has emerged as a key aesthetic and narrative device that reflects the dynamic intersection between cultural tradition, psychology, and technological innovation. As contemporary theatre increasingly adopts cross-media elements and immersive techniques, the symbolic and emotional power of dream imagery plays a crucial role in shaping both artistic expression and audience engagement. This paper investigates the application of dream imagery in contemporary Chinese drama, with a focus on how it is received and interpreted by audiences. Through a structured questionnaire distributed among viewers with varying backgrounds in theater appreciation, 320 valid responses were collected. The study analyzes audience awareness, aesthetic attitudes, and comprehension challenges concerning dream imagery. Findings suggest that dream imagery significantly enhances dramatic impact, enriches narrative layers, and stimulates emotional resonance, particularly resonating with younger audiences. However, issues such as interpretive difficulty and audience segmentation in acceptance remain prevalent. Based on survey data, the paper proposes strategies to improve the expression of dream imagery in drama, including strengthening narrative coherence, increasing technological integration, and enhancing cultural guidance. These recommendations aim to optimize audience experience and the communicative efficacy of theatrical art. This research provides theoretical insights and practical references for playwrights and theater practitioners.
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