CULTURAL AMNESIA AND ORHAN PAMUK’S VISION OF TURKEY IN ISTANBUL: MEMORIES OF THE CITY

Authors

  • MOHAMMED ABDULLAH HUSSEIN Department of Literature, Universiti Sains Malaysia (USM), Penang, Malaysia.
  • MOHAMAD LUTHFI ABDUL RAHMAN Department of Literature, Universiti Sains Malaysia (USM), Penang, Malaysia.
  • NADIATUL SHAKINAH ABDUL RAHMAN Department of Literature, Universiti Sains Malaysia (USM), Penang, Malaysia.
  • HALIMAH MOHAMED ALI Department of Literature, Universiti Sains Malaysia (USM), Penang, Malaysia.
  • ZAID MAHIR Department of English, University of Central Missouri, Missouri, United States.

DOI:

https://doi.org/10.55197/qjssh.v7i3.830

Keywords:

Turkey, orhan Pamuk, cultural amnesia, Istanbul, Ottoman empire

Abstract

This paper discusses Turkey’s novelist Orhan Pamuk, and his book Istanbul: Memories of the City in 2006. Pamuk is well-informed about the historical topics he handles in his non-fiction book Istanbul: Memories and the City of 2003. He employs a vast knowledge accumulated through extensive readings to address a variety of topics, some of which are controversial. One of the recurrent topics he is concerned with is the prevailing state of melancholy in Turkey, which he links to the decline and fall of the great Ottoman Empire. He wants his people to change how they look at the past: rather than attempting to relive the past and, failing to do so, experiencing melancholy, they should use it to engage in a thought-provoking examination and assessment of it. Pamuk laments the authorities’ neglect of his lovely town, Istanbul, and worries that the city will lose its importance and beauty due to its poverty, shabbiness, and isolation. This paper employs the Cultural Amnesia theoretical framework that Halimah Mohamed Ali and Aina Nabila Ahmad created in their essay “Tracing Cultural Amnesia in Sara Suleri’s Meatless Days” of 2017.

Author Biography

  • HALIMAH MOHAMED ALI, Department of Literature, Universiti Sains Malaysia (USM), Penang, Malaysia.

    Senior Lecturer

    English Language Studies Section
    School of Humanities

    Universiti Sains Malaysia (USM)

References

[1] Ahmet, A. (2013): The hegemony of the liberal–secular master narrative in Orhan Pamuk’s Snow. – Journal of European Studies 43(3): 244-257.

[2] Alahmed, A.Y., Mujani, W.K., Abbas, E.M. (2015): Turkey and European Union: objectives and obstacles. – Mediterranean Journal of Social Sciences 6(4): 475-480.

[3] Ali, H.M., Ahmad, A.N. (2018): Tracing cultural amnesia in Sara Suleri’s meatless days. – International Journal of Current Research 10(9): 73431-73434.

[4] Bovsunivska, T. (2018): Images of melanholy in the novel “Istambul Memories of a City” by Orhan Pamuk. – Accents and Paradoxes of Modern Philology 1(3): 44-57.

[5] Deriu, D. (2020): The city of collective melancholy: Revisiting Pamuk’s Istanbul. – Architecture and Culture 8(1): 69-93.

[6] Hashemipour, S. (2017): Life into Literature Orhan Pamuk in His Works. – Gece Kitapligi 90p.

[7] Jerlei, E. (2015): Cultural Amnesia: Imagining Alternatives to the Dystopian Future of Norrland. – Umeå universitet 77p.

[8] Pamuk, O. (2006): Istanbul: Memories and the city. – Vintage 400p.

[9] Sapkota, R. (2018): Critique of Western Modernity Through Liminal Space in Pamuk's The New Life and My Name is Red. – Tribuvan University 34p.

[10] Toker, A. (2019): Orhan Pamuk’s My Name is Red and Snow: Representations of the Clash between the East and the West. – Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 16(43): 1-17.

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Published

2026-06-30

Issue

Section

Articles

How to Cite

CULTURAL AMNESIA AND ORHAN PAMUK’S VISION OF TURKEY IN ISTANBUL: MEMORIES OF THE CITY. (2026). Quantum Journal of Social Sciences and Humanities, 7(3), 30-42. https://doi.org/10.55197/qjssh.v7i3.830